jeudi 29 mai 2008
Antonio Pessoa
New Line
Oh,my God!He did it again!He walks again along the boulevard of contemporary art's cutting edge,bouncing with vigorous invention,far beyond the bounds of expected reasonable possibilities,now coming up with this astonishing autogenesis,charming and wonderfully absurd,screaming colors disturbing the standardized patterns of the on-going tendencies,resembling some sort of special effects sensational circus number,a striking explosion of raging artistic headlines,whatever,shockwaves of hiper chromatic flash,loud and sustained,shrill and piercing,animated gifts switching to moving thingies,or so it seems,downright overwhelming for any tolerant viewer's eyes,like mustard mix with reddish and a whole lot of stripes! Narrative powders,striking impressions all over this tempting flavors shocking shimmery festival! Should the present approach be viewed as a first step towards obtaining universal recognition or must this be interpreted as the historic golden keys to open the doors to the seven templates before divine madness? Antonio Pessoa's maddening prodigy of composition,promising artistic isotopic lunacy,colors entering the canvas like a visual adaptation on some Stanley Kubrick conceptual orgy,or a Steven Spielberg script digitized and reconstructed in a indelibly haunting endlessly fascinating gallery of adhesive transitions,gorgeous enigmatic sentences projecting a strong imperative impact where the required invisible final touch seems long gone to have turned into an intoxicating encore of purposefully passionate variations of wild art action super color magic velocity. Cognitive materials at every crossroad continue as if it has always been there without even the grinding artistic percussion,building up to break down,enter and exit in such a general contrasting visual effect only an artist like Pessoa could possibly come up with.Too much of too much,indeed!Lovely. Antonio Pessoa does it in such a unique way that as far as I am concerned,New Line seems to have no links with any contemporary art current references whatsoever.Daring and new the artist once again proves to be the unquestionable cutting edge of today's art scene. A free man and an independent eccentric art maker,ecclectic in his glamorous lifestyle and proud of his wealthy creativity,provides us systematically with artistic real-time news,as in New Line,more unusual than ever,the pretty boy of today's big time art collectors,invisible to the average citizen yet a growing public phenomenon,Pessoa claims a new area of emotion- oriented fine art,in which the resulting visual effects link him to the top conceptual creators of the new age by laying out the notion that the possibility to accomplish the impossible is merely the beginning of a long-term artistic strategic context and most importantly an artistic wide range communicative attitude. The overpricing of initial art dealers offerings this year,has developed a new somewhat unexpected information concerning Antonio Pessoa's latest oeuvre.His nineties Romantic Period artworks adjustment was therefore inevitable,creating the proper balance,moreover extraordinary results not only in the artist's finantial status but on the whole improving his collaborators team working machine,plus a significant enthusiasm in public relations,spreading fast,as an interchange of fluent dynamics,that degree of global evaluation that appear to occur,very often creating conflicts and contradictions between Antonio Pessoa and the art market coverage areas and promotion campaign that in reality means little or nothing for the artist,at least from his private assumption and his personal outlook of the global context related to the art scene general and sometimes obscure outs and abouts. The hyperconfident Antonio Pessoa astounds with his ability to express directly to the viewers his artistic science,just to turn his back to the tedious art market oscillations,as a good chance and excellent excuse to go back to his studio comfort,exploring the sectors of life he enjoys the most. Despite Pessoa's latest artistic preferences and even model references such as Eugene Brands,represented by Elisabeth den Bieman Dehass,Jacques Bage,Arnold Niessen and Anne Vignal,their artworks available at Galerie Blom,Niklas Anderberg,Robert Brandy,Mario Morunti,plus the amazing Gerard Hendriks,if I'm not mistaken represented by Gallery Chicory...the artist however seems to be moving towards a much more advanced research of what contemporary art can,should be and indeed is,accomplishing its most dominant exuberance and distinguished innovation in the spontaneous cutting edge ideas such as New Line. Antonio Pessoa's sustainable artistic maturity and trajectory,despite being now and then eventually favored at the expense of other artists,such as Chris Berens,Dorien Plaat,Richard Smeets,Joan Miró,Pollock,Harrie Gerritz and Klaas Gubbels,on the whole he is essentially far more original by embracing a awesome new way of art expression where the dominant theme and nature is unquestionably his colors unrestrained movements,perhaps frequently with excessive exuberance,although wisely mitigated by his outstanding drawing skills and composition unique possibilities,another dominant significance highlighting the progress of his imagination grandeur and inevitably seeking to enforce the general public concept of what contemporary expression should be as part of today's world actions and reactions. The evaluation and significance of hyperchromatic New Line,should after all be left to the personal judgement of the viewer,like an overpigmented fine art atlas,a subjective document where the eye and perception increase their depth of focus and interpretation. If the artist's intention was indeed to create art-abstract with suggestive keywords or hidden messages or even,shall we say,top classified information,theoretically that could stand for a tricky way of harmless playful perversion,meant to inhibit the viewer diagnosis and in so doing forcing a further challenge to the brain cells or a double focused approach on the look out for a suitable meaning possibly present somewhere across the different components of such a nutritious composition. This balanced weighing up of evidence and meaningful content might be as well Antonio Pessoa's need of hope to challenge the viewer attempt to collect some self-reflection using the painting as a mirror,like a wall art made to test the viewer's capacity to exercise introspection or otherwise,to transcend the philosophical limits and thereby start questioning the artist's intentions,secret profile. What one can feel and do before this intense color traffic jam is one of the interesting adventures any art lover can come across,standing still in a crowded art show opening night,or at the home-sweet-home privacy as any serious art collector should. My educated intuition and viewpoint whisper in my ear that very probably,knowing the artist as I actually do,that the law of attraction - even dismissed the ultimate need for scientific proof - might as well be playing an interesting role as far as this masterpiece titled New Line is concerned. So it might happen that indeed Antonio Pessoa's dominant thought during the making of New Line,was actually telling him that he attracts into his oeuvre reputation whatever he thinks about.This subliminal message might have been the hypnotic motivation I know he has,that the wholesome of his latest and upcoming oeuvre should and must attract the New Line of art collectors.What do you know! For so very often without sharpness of edge or point Antonio Pessoa art expression can be as direct and outspoken,some other times the artist takes the opposite option,not led by any circumstances changes,but as a delicious solution for a specific artistic strategy,delivered free,nevertheless keeping for himself a whole great stock of valuable explanations and most importantly a relevant amount of private classified information. And that's as much out in the open the artist's inner self configuration manual goes. The artistic impact hides the undiscovered master of art fiction,a dimension of privacy not even celebrity interviews nor steady gossip manage to guess let alone figure out what's behind the New Line!
New Line
Oh,my God!He did it again!He walks again along the boulevard of contemporary art's cutting edge,bouncing with vigorous invention,far beyond the bounds of expected reasonable possibilities,now coming up with this astonishing autogenesis,charming and wonderfully absurd,screaming colors disturbing the standardized patterns of the on-going tendencies,resembling some sort of special effects sensational circus number,a striking explosion of raging artistic headlines,whatever,shockwaves of hiper chromatic flash,loud and sustained,shrill and piercing,animated gifts switching to moving thingies,or so it seems,downright overwhelming for any tolerant viewer's eyes,like mustard mix with reddish and a whole lot of stripes! Narrative powders,striking impressions all over this tempting flavors shocking shimmery festival! Should the present approach be viewed as a first step towards obtaining universal recognition or must this be interpreted as the historic golden keys to open the doors to the seven templates before divine madness? Antonio Pessoa's maddening prodigy of composition,promising artistic isotopic lunacy,colors entering the canvas like a visual adaptation on some Stanley Kubrick conceptual orgy,or a Steven Spielberg script digitized and reconstructed in a indelibly haunting endlessly fascinating gallery of adhesive transitions,gorgeous enigmatic sentences projecting a strong imperative impact where the required invisible final touch seems long gone to have turned into an intoxicating encore of purposefully passionate variations of wild art action super color magic velocity. Cognitive materials at every crossroad continue as if it has always been there without even the grinding artistic percussion,building up to break down,enter and exit in such a general contrasting visual effect only an artist like Pessoa could possibly come up with.Too much of too much,indeed!Lovely. Antonio Pessoa does it in such a unique way that as far as I am concerned,New Line seems to have no links with any contemporary art current references whatsoever.Daring and new the artist once again proves to be the unquestionable cutting edge of today's art scene. A free man and an independent eccentric art maker,ecclectic in his glamorous lifestyle and proud of his wealthy creativity,provides us systematically with artistic real-time news,as in New Line,more unusual than ever,the pretty boy of today's big time art collectors,invisible to the average citizen yet a growing public phenomenon,Pessoa claims a new area of emotion- oriented fine art,in which the resulting visual effects link him to the top conceptual creators of the new age by laying out the notion that the possibility to accomplish the impossible is merely the beginning of a long-term artistic strategic context and most importantly an artistic wide range communicative attitude. The overpricing of initial art dealers offerings this year,has developed a new somewhat unexpected information concerning Antonio Pessoa's latest oeuvre.His nineties Romantic Period artworks adjustment was therefore inevitable,creating the proper balance,moreover extraordinary results not only in the artist's finantial status but on the whole improving his collaborators team working machine,plus a significant enthusiasm in public relations,spreading fast,as an interchange of fluent dynamics,that degree of global evaluation that appear to occur,very often creating conflicts and contradictions between Antonio Pessoa and the art market coverage areas and promotion campaign that in reality means little or nothing for the artist,at least from his private assumption and his personal outlook of the global context related to the art scene general and sometimes obscure outs and abouts. The hyperconfident Antonio Pessoa astounds with his ability to express directly to the viewers his artistic science,just to turn his back to the tedious art market oscillations,as a good chance and excellent excuse to go back to his studio comfort,exploring the sectors of life he enjoys the most. Despite Pessoa's latest artistic preferences and even model references such as Eugene Brands,represented by Elisabeth den Bieman Dehass,Jacques Bage,Arnold Niessen and Anne Vignal,their artworks available at Galerie Blom,Niklas Anderberg,Robert Brandy,Mario Morunti,plus the amazing Gerard Hendriks,if I'm not mistaken represented by Gallery Chicory...the artist however seems to be moving towards a much more advanced research of what contemporary art can,should be and indeed is,accomplishing its most dominant exuberance and distinguished innovation in the spontaneous cutting edge ideas such as New Line. Antonio Pessoa's sustainable artistic maturity and trajectory,despite being now and then eventually favored at the expense of other artists,such as Chris Berens,Dorien Plaat,Richard Smeets,Joan Miró,Pollock,Harrie Gerritz and Klaas Gubbels,on the whole he is essentially far more original by embracing a awesome new way of art expression where the dominant theme and nature is unquestionably his colors unrestrained movements,perhaps frequently with excessive exuberance,although wisely mitigated by his outstanding drawing skills and composition unique possibilities,another dominant significance highlighting the progress of his imagination grandeur and inevitably seeking to enforce the general public concept of what contemporary expression should be as part of today's world actions and reactions. The evaluation and significance of hyperchromatic New Line,should after all be left to the personal judgement of the viewer,like an overpigmented fine art atlas,a subjective document where the eye and perception increase their depth of focus and interpretation. If the artist's intention was indeed to create art-abstract with suggestive keywords or hidden messages or even,shall we say,top classified information,theoretically that could stand for a tricky way of harmless playful perversion,meant to inhibit the viewer diagnosis and in so doing forcing a further challenge to the brain cells or a double focused approach on the look out for a suitable meaning possibly present somewhere across the different components of such a nutritious composition. This balanced weighing up of evidence and meaningful content might be as well Antonio Pessoa's need of hope to challenge the viewer attempt to collect some self-reflection using the painting as a mirror,like a wall art made to test the viewer's capacity to exercise introspection or otherwise,to transcend the philosophical limits and thereby start questioning the artist's intentions,secret profile. What one can feel and do before this intense color traffic jam is one of the interesting adventures any art lover can come across,standing still in a crowded art show opening night,or at the home-sweet-home privacy as any serious art collector should. My educated intuition and viewpoint whisper in my ear that very probably,knowing the artist as I actually do,that the law of attraction - even dismissed the ultimate need for scientific proof - might as well be playing an interesting role as far as this masterpiece titled New Line is concerned. So it might happen that indeed Antonio Pessoa's dominant thought during the making of New Line,was actually telling him that he attracts into his oeuvre reputation whatever he thinks about.This subliminal message might have been the hypnotic motivation I know he has,that the wholesome of his latest and upcoming oeuvre should and must attract the New Line of art collectors.What do you know! For so very often without sharpness of edge or point Antonio Pessoa art expression can be as direct and outspoken,some other times the artist takes the opposite option,not led by any circumstances changes,but as a delicious solution for a specific artistic strategy,delivered free,nevertheless keeping for himself a whole great stock of valuable explanations and most importantly a relevant amount of private classified information. And that's as much out in the open the artist's inner self configuration manual goes. The artistic impact hides the undiscovered master of art fiction,a dimension of privacy not even celebrity interviews nor steady gossip manage to guess let alone figure out what's behind the New Line!
vendredi 21 septembre 2007
Sala Panaderas - Antonio Pessoa
http://www.galeria-arte.es/antonio-pessoa/2-30-2-30.htm
Sala Panaderas in La Coruña,northern Spain,seems to have adopted one of the most promising artists of the international art scene right now,Antonio Pessoa,showing some of his best series of the worlwide known Romantic Period.
A very wise choice unquestionably,considering the place and the time when this actually happens.
Together with some of the most interesting emerging artists from Galaecia,Pessoa returns to this wonderful region of Spain and in one of its largest cities,La Coruña.This could be the very beginning of a close and expanding partnership,between the artist and Sala Panaderas,in order to give worldwide voice to a culture and a region yet not so much known among europeans and the United States art lovers and art collectors.
Looking through the windows of Sala Panaderas front door,we immediately become aware of Pessoa's unmistakable style,the very remarkable stamp of his Romantic Period excellent productions.
On a short term this could turn out to be a brilliant and bombastic opportunity and possibility just to break on through to the other side,for them both Sala Panaderas and artist Antonio Pessoa.
Precisely just about now when Pessoa is getting ready to take off for the New York art adventure,it's good to find out that an important piece of his most amazing and striking working periods remains in the wise hands of an art gallery which seems to know its way around today's competitive segments of the global art market,despite the fact of Sala Panaderas local environment out and about on-going expanding art vision.
Specifically in a region of Europe far from being among the art merchandise leaders,Sala Panaderas swings about obviously with the connoisseur operating knowledge,intuition,wisdom and savoir-faire,managing artistic combinations,style schemes and recipes plus with the punctual layout of elegant and snappy informed conduct aiming and focusing on a relevant qualified performance of a label,product,artists and artworks,providing local art collectors with the comprehensive taste and flavour of quality. Focusing on essential techniques,so it seems,Sala Panaderas or galeria-arte,presents us with a stimulating improvement and Know-How,stepping further ahead and definitely not far from actually taking the leadership of northern Spain's art market monopoly stage.
Antonio Pessoa's career,unpredictable has it has always been,leaves us a whole lot of open field to imagine,dream and speculate,however when it comes a time when an artist reaches the point of public under falling burning acceptance and admiration,the synonyms of all these undeniable facts leaves us no much more ground to consider let alone doubt.
Pessoa's systematic working method in order to make this wonderful project available to the world is already conceiving interesting results to say the least.
Therefore,Sala Panaderas galeria-art,sure deserves our most excited and cheerful applause,definitely our infinite respect for the outstanding enthusiastic passion for your artists plus all upcoming new initiatives in order to expand what is already beginning to look like an impressive and great teaching of art gallery management.
As for Antonio Pessoa and Sala Panaderas we are truly lucky to have you both in the recognition club and surely in the spotlight of the international contemporary art scene!
Anneke Frenken
http://www.galeria-arte.es/antonio-pessoa/2-30-2-30.htm
Sala Panaderas in La Coruña,northern Spain,seems to have adopted one of the most promising artists of the international art scene right now,Antonio Pessoa,showing some of his best series of the worlwide known Romantic Period.
A very wise choice unquestionably,considering the place and the time when this actually happens.
Together with some of the most interesting emerging artists from Galaecia,Pessoa returns to this wonderful region of Spain and in one of its largest cities,La Coruña.This could be the very beginning of a close and expanding partnership,between the artist and Sala Panaderas,in order to give worldwide voice to a culture and a region yet not so much known among europeans and the United States art lovers and art collectors.
Looking through the windows of Sala Panaderas front door,we immediately become aware of Pessoa's unmistakable style,the very remarkable stamp of his Romantic Period excellent productions.
On a short term this could turn out to be a brilliant and bombastic opportunity and possibility just to break on through to the other side,for them both Sala Panaderas and artist Antonio Pessoa.
Precisely just about now when Pessoa is getting ready to take off for the New York art adventure,it's good to find out that an important piece of his most amazing and striking working periods remains in the wise hands of an art gallery which seems to know its way around today's competitive segments of the global art market,despite the fact of Sala Panaderas local environment out and about on-going expanding art vision.
Specifically in a region of Europe far from being among the art merchandise leaders,Sala Panaderas swings about obviously with the connoisseur operating knowledge,intuition,wisdom and savoir-faire,managing artistic combinations,style schemes and recipes plus with the punctual layout of elegant and snappy informed conduct aiming and focusing on a relevant qualified performance of a label,product,artists and artworks,providing local art collectors with the comprehensive taste and flavour of quality. Focusing on essential techniques,so it seems,Sala Panaderas or galeria-arte,presents us with a stimulating improvement and Know-How,stepping further ahead and definitely not far from actually taking the leadership of northern Spain's art market monopoly stage.
Antonio Pessoa's career,unpredictable has it has always been,leaves us a whole lot of open field to imagine,dream and speculate,however when it comes a time when an artist reaches the point of public under falling burning acceptance and admiration,the synonyms of all these undeniable facts leaves us no much more ground to consider let alone doubt.
Pessoa's systematic working method in order to make this wonderful project available to the world is already conceiving interesting results to say the least.
Therefore,Sala Panaderas galeria-art,sure deserves our most excited and cheerful applause,definitely our infinite respect for the outstanding enthusiastic passion for your artists plus all upcoming new initiatives in order to expand what is already beginning to look like an impressive and great teaching of art gallery management.
As for Antonio Pessoa and Sala Panaderas we are truly lucky to have you both in the recognition club and surely in the spotlight of the international contemporary art scene!
Anneke Frenken
samedi 8 septembre 2007
Antonio Pessoa
The NEW ERA
Picture yourself in a brand-new dimension of Art expression and next thing you know you are experiencing a new sensation of freedom and the feeling that after all contemporary Art remains alive to an extent far beyond what you probably might have been expecting.
Picture yourself getting rid of the same old art concepts even the so called contemporary,for all that matters,and therefore entering a new universe of world wide communication where you can be involved as a viewer,as a critic and even as an artist.
You may wonder how come is that possible?
Simply because Antonio Pessoa is indeed a whole lot more than just the average artist,he is a genuine born to be a communicator,relating Art directly to people right in the act as a power of nature led by a natural mission wich opens the doors and through Art discloses directly the hidden secrets of life,love,energy,positive thinking and more than contemporary Art a new perspective of contemporary attitude.
The NEW ERA is atributed to Antonio Pessoa just as cubism to Picasso.The studio wizard is back online like Phoenix from the ashes.
No more heroes required,Antonio Pessoa is just a man not a God,nevertheless his macro energy,talent,heart and soul,turn out to be the perfect combination right at the start of the new century.
A NEW ERA of Art expression is born and long live modern Art with Antonio Pessoa's contribution and his voluntary act of giving in common with others for the common purpose of contemporary Art enhancement developmental endeavour.
There's no doubt that Antonio Pessoa's New Era is here to stay.It's well known that the artist's tradition and reputation translates a solid as a rock reliability wich keeps on providing us with the undeniable reassurance that once he commits himself to a specific convincing belief he hardly is ever going to give it up or give in.
And that's about as far as we need to go.
So Art lovers , all you have to do is let your emotions flow as Antonio Pessoa's New Era artworks keep on coming,showing us the Art side of reality,with the impact touch wich only he knows how to handle with the unmistakable skillfulness of his exceptional creative ability,dazzling unusual and unique,the model of contemporary Art communication at his very best apotheosis level of invention and high quality.
The general anatomy of Antonio Pessoa's New Era artworks is of total abstract meteoritical symbols,a babylonian of colors and shapes macroevolution leading us to amazing suggestions of how our feelings and emotions can actually drift away for a long voyage a waggish day dreaming experience that only Art has made possible up to now.
If ever there is any particular message behind the cosmogenical surface of the New Era's artworks,very likely is for the artist to know and for us to find out.That's indeed the stimulating thrill of writing Art with underlines.Despite this artistic classified information,undoubtedly kept in secret on purpose,communication is flowing out in the open more than enough or at least just enough to keep the viewer in the privileged state of fascinating discovery.
A friend of mine roughly one year ago came up with a quite interesting quotation.He said " Writing about Art is the same as painting about Music ". That kept me wondering for a few days,fortunately I gave it a second thought and there I was concluding that maybe painting while writing about Art was probably the next option to take.
One way or another,fact is that on the whole I've always been more concerned about Antonio Pessoa's life,the artist and the man,than specifically,shall we say,preoccupied about going on prattling putting down in words what is visually so much enough obvious as mysterious.And that's definitely the wonderful thrill of contemplating visual arts.
So therefore as far as Antonio Pessoa's New Era is concerned I see myself rather playing the role of the biographer than just the art critic very often obsessively displaying titanic literary criticism oriented pages in the time wasting struggle of searching for square definitions related to something such as Art where obviously rigidly accurate analytical sequences have absolutely nothing to do with what's at stake.
Antonio Pessoa's New Era can easily manage to survive without the need of long speeches about the issue.On the other hand Antonio Pessoa's life and work has got indeed much more than enough amazing and truly interesting real time,direct action,real life,living Art content as to actually provide adequate ground to be put down in words.
Art interpretation concept therefore makes the artist's biographical zone if not compulsory , at least worthy of acceptance in order to digest a far more clear understanding of what it's all about.
Specifically what particularly concerns Antonio Pessoa's New Era,now here we have a true stimulating and complex challenge to face,to take and definitely to enjoy.
Standing before the idea of this new project of Antonio Pessoa,is just about enough to give us the breathtaking hope that indeed something unexpectedly new in the contemporary Art scene is about to happen.Fact is it already did.
So let the child grow,make it asap Antonio,for all of us who have been following your career so far,we all believe it's going to turn out to be one more time into an action art performance wich certainly is going to keep us together more than ever focusing our attention span into your Art vision today.
Art lovers and Art collectors sure need something fresh and new to lean on and that's where Antonio Pessoa's New Era comes in,full of color and grace,gentle and sentimental,elegantly glamourous and powerfully avant-gardish wich now that we come to think of it verdict is that it turns out to be a formula far beyond the so called contemporary fashion average,straight towards the perfect combination of what progressive neo-futurism indeed should be.
A true Art studio veteran coming back live and alive dressed up as a talented gifted absolute beginner,much more than a daring act of courage,is hereupon the herald shouting the arrival of the new century's mirror,the magical mirror wich only Art can provide,wich only Art can afford just by translating the contradictory elements of nature into the compact beauty wich only Art can accomplish.
Art lovers and Art collectors,make room and make way,let us all allow Antonio Pessoa's New Era to become what it's meant to be.A brave new world of communication,intention,sensation,emotion,invention and expression.
Submiting a new concept to the world has always been a risky process,a labyrinth of options and alternative B plans,pertaining to unconventional choices between mutually exclusive possibilities.Once the petrification of the same old formulas becomes totally out of question,then there's no way back whatsoever and the two options left are either suicide or glory.And that's as romantic as I can afford to be when sharing and facing the artist's dilemma of to be real or not to be.
The Art magician one day wakes up just to find out and so honestly admit to himself that despite his multiple tricks somehow still manage to keep the audience in a suspense breathtaking nail-biting tension,fact is that suddenly his tricks don't mean anything to him anymore.
And that sometimes can actually be the very beginning of a new period,if there's still the burning fire in the artist's heart and soul.
Antonio Pessoa's New Era is the perfect example of a heart and soul,where dancing flames seem to flip-flop and fly through clouds and clouds of multicolored smoke and as when there is smoke there is fire,there is an artist who has just made up his mind determined to make sure the show must go on and this time now more eager than ever to step on the stage and turn the audience into an orgasmic crowd.
Better said than done,some might claim,although while in so doing,very likely the artist is already at work and while some skepticals bystanders doubt it,very probably Antonio Pessoa's New Era might as well be by then taking off,flying and landing at the airport of recognition to receive the open arms welcome of the erudite ones who have the privilege of understanding an artistic phenomenon when they see one.
The NEW ERA
Picture yourself in a brand-new dimension of Art expression and next thing you know you are experiencing a new sensation of freedom and the feeling that after all contemporary Art remains alive to an extent far beyond what you probably might have been expecting.
Picture yourself getting rid of the same old art concepts even the so called contemporary,for all that matters,and therefore entering a new universe of world wide communication where you can be involved as a viewer,as a critic and even as an artist.
You may wonder how come is that possible?
Simply because Antonio Pessoa is indeed a whole lot more than just the average artist,he is a genuine born to be a communicator,relating Art directly to people right in the act as a power of nature led by a natural mission wich opens the doors and through Art discloses directly the hidden secrets of life,love,energy,positive thinking and more than contemporary Art a new perspective of contemporary attitude.
The NEW ERA is atributed to Antonio Pessoa just as cubism to Picasso.The studio wizard is back online like Phoenix from the ashes.
No more heroes required,Antonio Pessoa is just a man not a God,nevertheless his macro energy,talent,heart and soul,turn out to be the perfect combination right at the start of the new century.
A NEW ERA of Art expression is born and long live modern Art with Antonio Pessoa's contribution and his voluntary act of giving in common with others for the common purpose of contemporary Art enhancement developmental endeavour.
There's no doubt that Antonio Pessoa's New Era is here to stay.It's well known that the artist's tradition and reputation translates a solid as a rock reliability wich keeps on providing us with the undeniable reassurance that once he commits himself to a specific convincing belief he hardly is ever going to give it up or give in.
And that's about as far as we need to go.
So Art lovers , all you have to do is let your emotions flow as Antonio Pessoa's New Era artworks keep on coming,showing us the Art side of reality,with the impact touch wich only he knows how to handle with the unmistakable skillfulness of his exceptional creative ability,dazzling unusual and unique,the model of contemporary Art communication at his very best apotheosis level of invention and high quality.
The general anatomy of Antonio Pessoa's New Era artworks is of total abstract meteoritical symbols,a babylonian of colors and shapes macroevolution leading us to amazing suggestions of how our feelings and emotions can actually drift away for a long voyage a waggish day dreaming experience that only Art has made possible up to now.
If ever there is any particular message behind the cosmogenical surface of the New Era's artworks,very likely is for the artist to know and for us to find out.That's indeed the stimulating thrill of writing Art with underlines.Despite this artistic classified information,undoubtedly kept in secret on purpose,communication is flowing out in the open more than enough or at least just enough to keep the viewer in the privileged state of fascinating discovery.
A friend of mine roughly one year ago came up with a quite interesting quotation.He said " Writing about Art is the same as painting about Music ". That kept me wondering for a few days,fortunately I gave it a second thought and there I was concluding that maybe painting while writing about Art was probably the next option to take.
One way or another,fact is that on the whole I've always been more concerned about Antonio Pessoa's life,the artist and the man,than specifically,shall we say,preoccupied about going on prattling putting down in words what is visually so much enough obvious as mysterious.And that's definitely the wonderful thrill of contemplating visual arts.
So therefore as far as Antonio Pessoa's New Era is concerned I see myself rather playing the role of the biographer than just the art critic very often obsessively displaying titanic literary criticism oriented pages in the time wasting struggle of searching for square definitions related to something such as Art where obviously rigidly accurate analytical sequences have absolutely nothing to do with what's at stake.
Antonio Pessoa's New Era can easily manage to survive without the need of long speeches about the issue.On the other hand Antonio Pessoa's life and work has got indeed much more than enough amazing and truly interesting real time,direct action,real life,living Art content as to actually provide adequate ground to be put down in words.
Art interpretation concept therefore makes the artist's biographical zone if not compulsory , at least worthy of acceptance in order to digest a far more clear understanding of what it's all about.
Specifically what particularly concerns Antonio Pessoa's New Era,now here we have a true stimulating and complex challenge to face,to take and definitely to enjoy.
Standing before the idea of this new project of Antonio Pessoa,is just about enough to give us the breathtaking hope that indeed something unexpectedly new in the contemporary Art scene is about to happen.Fact is it already did.
So let the child grow,make it asap Antonio,for all of us who have been following your career so far,we all believe it's going to turn out to be one more time into an action art performance wich certainly is going to keep us together more than ever focusing our attention span into your Art vision today.
Art lovers and Art collectors sure need something fresh and new to lean on and that's where Antonio Pessoa's New Era comes in,full of color and grace,gentle and sentimental,elegantly glamourous and powerfully avant-gardish wich now that we come to think of it verdict is that it turns out to be a formula far beyond the so called contemporary fashion average,straight towards the perfect combination of what progressive neo-futurism indeed should be.
A true Art studio veteran coming back live and alive dressed up as a talented gifted absolute beginner,much more than a daring act of courage,is hereupon the herald shouting the arrival of the new century's mirror,the magical mirror wich only Art can provide,wich only Art can afford just by translating the contradictory elements of nature into the compact beauty wich only Art can accomplish.
Art lovers and Art collectors,make room and make way,let us all allow Antonio Pessoa's New Era to become what it's meant to be.A brave new world of communication,intention,sensation,emotion,invention and expression.
Submiting a new concept to the world has always been a risky process,a labyrinth of options and alternative B plans,pertaining to unconventional choices between mutually exclusive possibilities.Once the petrification of the same old formulas becomes totally out of question,then there's no way back whatsoever and the two options left are either suicide or glory.And that's as romantic as I can afford to be when sharing and facing the artist's dilemma of to be real or not to be.
The Art magician one day wakes up just to find out and so honestly admit to himself that despite his multiple tricks somehow still manage to keep the audience in a suspense breathtaking nail-biting tension,fact is that suddenly his tricks don't mean anything to him anymore.
And that sometimes can actually be the very beginning of a new period,if there's still the burning fire in the artist's heart and soul.
Antonio Pessoa's New Era is the perfect example of a heart and soul,where dancing flames seem to flip-flop and fly through clouds and clouds of multicolored smoke and as when there is smoke there is fire,there is an artist who has just made up his mind determined to make sure the show must go on and this time now more eager than ever to step on the stage and turn the audience into an orgasmic crowd.
Better said than done,some might claim,although while in so doing,very likely the artist is already at work and while some skepticals bystanders doubt it,very probably Antonio Pessoa's New Era might as well be by then taking off,flying and landing at the airport of recognition to receive the open arms welcome of the erudite ones who have the privilege of understanding an artistic phenomenon when they see one.
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